Passage
The voice of my beloved! behold, he cometh leaping upon the mountains, skipping upon the hills.
The voice of my beloved! behold, he cometh leaping upon the mountains, skipping upon the hills.
Song of Solomon 2:6 His left hand is under my head, and his right hand doth embrace me.
Song of Solomon 2:7 I charge you, O ye daughters of Jerusalem, by the roes, and by the hinds of the field, that ye stir not up, nor awake my love, till he please.
Song of Solomon 2:8 The voice of my beloved! behold, he cometh leaping upon the mountains, skipping upon the hills.
Song of Solomon 2:9 My beloved is like a roe or a young hart: behold, he standeth behind our wall, he looketh forth at the windows, shewing himself through the lattice.
Song of Solomon 2:10 My beloved spake, and said unto me, Rise up, my love, my fair one, and come away.
The verse centers on "voice", "beloved", "behold", "cometh", "leaping", "upon", "mountains", and "skipping". It is saying that the verse draws attention to "voice" and "beloved", so its meaning should be read from those terms before moving to application.
The nearby context moves from verse 7's "I charge you O ye daughters of..." into verse 9's "My beloved is like a roe or...", so "voice" and "beloved" belong inside that flow. In Song of Solomon context, the local focus is covenant, worship, and faithfulness.
A plain takeaway is to answer the verse's own emphasis on "voice" and "beloved" with trust shaped by these words, not by a vague optimism outside the passage.